Vienna Imperial By Vst

Quickguide

Install the eLicenser Control Center Software and download your Vienna Imperial license with the activation code you received via e-mail after your registration.
Install the Vienna Imperial Software – find the latest updates of the sample player in MyDownloads.
Download the Sample Content from MyDownloads (short description in the column on the left).

Software Installation

Vienna Imperial runs as a VST, AU or RTAS plug‑in or as a stand-alone instrument. It requires a PC or Mac with an Intel Core Duo (or AMD 3GHz for PC) processor. Supported operating systems are Mac OS 10.5 (or higher) and Windows XP and Vista. Three GB of RAM with 1.5GB free memory is also required. Free vst plug-ins. Vienna piano vst Office, Office Comments: 0 The innovative implementation of meticulously recorded pedal-up and pedal-down notes in vienna piano vst to velocities, comprehensive sympathetic resonances, and multiple release samples make the Vienna Imperial quite honestly the most realistic sampled piano ever created. Vienna Imperial Piano Vst Download Torrent. Piano Vst Plugin Free Download. Jun 09, 2009 Vienna Imperial is available for Windows and Mac (VST/AU/RTAS) at a price of $875 USD. A purchase also entitles you to download the free Vienna Ensemble 2 mixing and host software. Visit Vienna Symphonic Library for more information.

You will find the later Vienna Imperial Software Installer in MyDownloads.

Launch the installer by double-clicking on its icon. Follow the instructions to install the software.

On a Windows machine you will be asked for locations to store the stand-alone software and VST plug-in (preferably in your sequencer's plug-in folder).

Installed Programs and Files

Vienna Imperial comes with quite a few additional files that will be installed in the Programs/Applications Folder. Vienna Instruments Standalone is explained later in this manual, UninstallVienna Imperial on OS X can be used if you'd like to roll back to an earlier version.

OS X:

Additionally, the plug-ins for VST/AU/RTAS/AAX will be installed in /Library/Audio/Plug-ins.

Windows:

Additionally, VST / RTAS / AAX Plug-ins will be installed in a location of your choice.

Directory Manager: links your sample content with your ViennaImperial Software.
Uninstall Vienna Imperial (OS X only): Uninstalls Vienna Imperial Software.
Vienna Imperial Library Installer: Installs the Vienna Imperial Sample Content from DVD or from your Download Folder (optional, if you don't want to use the Download Manager for installation, e.g., on a slave computer).
Vienna Imperial Standalone: Stand-alone version of Vienna Imperial.
Vienna Imperial Standalone 64-bit (WIN only): Stand-alone version of Vienna Imperial, in 64-bit.

Directory Manager

All Vienna software includes a utility called Directory Manager which keeps track of the drives and folders your data is installed in, providing that information for Vienna Instruments and Vienna Imperial. Your Sample Content is assigned automatically when you install a new Vienna Instruments Collection.

Caution

Missing folders (e.g., when a hard-drive is disconnected or the name/path has changed) will be displayed in RED.

Your custom presets are located in the following locations:

MacOS:

/Users/<YourUserName>/Library/Application Support/Vienna Imperial Presets/Vienna Imperial/

Windows:

%appdata%Vienna Imperial PresetsVienna Imperial

The Custom Data Folder works for all other Vienna Instruments Collections: It contains all your customized presets and Matrices and can easily be assigned to a location of your choice:

Vienna Imperial Library Installer

The Library Installer takes care of the installation of your Vienna Imperial DVD Collections.

Start the ViennaImperialLibrary Installer , point it to the 'package.info' file on your DVD #1 and you will be guided through the installation process.

The Vienna Download Manager takes care of the installation automatically (for all Download Products).

Find a short description in My Downloads in the column to the left.

If you have received a USB Flash-drive or harddrive that contains your Vienna Products (e.g., the Special Editions USB Stick or the Vienna HD), the installers are also included on this device.

The new piano from VSL takes dynamic sampling to a new level. Could this be the ultimate sampled grand?

VSL Vienna Ensemble Pro 6.0.17011 Crack Free Download Latest Version for Windows. It is full offline installer standalone setup of VSL Vienna Ensemble Pro 6.0.17011 Crack mac for 32/64. VSL Vienna Ensemble Pro 6.0.17011 Overview Vienna Ensemble Pro has become the definitive cross-platform network solution in studios and production facilities. Vienna MIR Pro is the first of its kind – a holistic solution that lets you mix and reverberate your Vienna Instruments more like a conductor than an audio-engineer. Vienna MIR Pro 24 is a reduced price version of Vienna MIR Pro with a limitation of 24 instruments, ensembles and audio signals.

Liberated by sample disk‑streaming, fast computers and capacious hard drives, sound companies today are free to sample instruments in unprecedented detail. In musical terms, one of the chief beneficiaries has been the notoriously difficult‑to‑sample acoustic piano. Over the last five years, manufacturers such as Best Service, Post Musical Instruments and Synthogy (makers of 'Ivory') rose to the challenge of replicating the instrument by recording samples at between eight and 16 dynamic levels in both pedal‑up and pedal‑down versions. More recently, Quantum Leap Pianos upped the ante by sampling four leading makes of piano at up to 18 dynamic levels from three mic positions, resulting in a massive 35‑DVD collection.

Vienna Symphonic Library first entered the sampled piano fray in 2006 with Bösendorfer Imperial (reviewed in the May 2007 issue of SOS). The piano went down well with the company's fan base, but VSL weren't content to leave it at that: their new, somewhat confusingly‑named Vienna Imperial brings you the same make and model of piano sampled at — are you sitting down? — up to 100 dynamic levels, a staggering figure which represents a 500 percent technical improvement on other sound companies' best efforts to date.

Coming from a rock background where most musicians operate at only three dynamics (loud, ****ing loud and off), accurately distinguishing between 100 dynamic levels seems a tall order to me, but VSL managed to do it with a little bit of technological back‑up from the piano's makers, which I've explained below.

CEUS Piano Recording System

The Bösendorfer 290‑755 Imperial grand sits in splendid isolation at VSL's Silent Stage. No player required!

The piano chosen for this project was a nine‑foot, 97‑key Bösendorfer Imperial 290‑755. This particular instrument has a proud concert history and is in demand by pianists Paul Badura‑Skoda, Roland Batik, Paul Gulda and others. Bösendorfer (who, conveniently, are also based in Vienna) loaned it to VSL for two months, during which time it was intensively recorded in the Silent Stage, a location so free of background noise it's rumoured that if you hold your breath and concentrate hard you can actually hear your own hair growing.

A significant difference between this concert grand and the one featured in VSL's Bösendorfer Imperial is that this piano was fitted with Bösendorfer's CEUS recording apparatus — the system uses optical sensors, microprocessors and electro‑magnetic controls to track and replicate hammer and pedal movements, enabling pianists' performances to be recorded and played back with great accuracy. It's also MIDI‑compatible, if you ever fancy hooking up a nine‑foot, £$50k‑plus grand piano to your sequencer!

The CEUS mechanism accurately distinguishes and reproduces hammer‑to‑string 'arrival times' of as little as 0.001 milliseconds apart (that's roughly the time it takes the average drummer to accept the offer of a pint). Since hammer speed is commensurate with playing volume, it follows that infinitesimally small gradations of dynamic can be detected; the CEUS system can thus easily reproduce MIDI's maximum of 127 dynamic layers, something no human player could ever manage. With the help of this powerful gizmo, VSL were able to 'play' the piano via pre‑recorded MIDI sequences and sample up to 100 velocities for each of its 97 notes. As a result, it's impossible to hear any trace of dynamic 'stepping' in Vienna Imperial: dynamic transitions are 100 percent smooth for the entire dynamic range. Another barrier to perfect piano sampling bites the dust!

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Imperial Sound

Bösendorfer pianos have a reputation for sounding rich and stately, with a thunderous bottom end extending, in some models, to sub‑sonic realms. Notes tend to 'speak' very distinctly at all dynamic levels, and I've noticed an austere, rather 'steely' quality in some models I've played (both real and sampled). While arguably an asset for competing with a full orchestra or hammering out some banging Rachmaninov solo piece, that timbral characteristic might put off players of an introspective, lyrical or jazz bent.

The Vienna Imperial bucks this trend: while retaining the trademark Bösendorfer clarity of attack, it has a lyrical, singing quality and a degree of warmth I don't normally associate with the make. (I suspect this is mainly due to two factors: the way the piano is voiced, and the intimate detail of its quiet performances having been so faithfully preserved by the intensive dynamic sampling). When played alongside VSL's Bösendorfer Imperial, the difference in tone is dramatic: by comparison, the latter sounds sterner, harder and more 'classical', while the mellower tone and subtle dynamics of the new piano make it an obvious choice for lyrical and/or improvisatory solo work. However, the strong fortés and mighty, crashing, 'Leader Of The Pack' bottom end are still there when you need them and, regardless of dynamic level, the tone remains beautifully transparent across the entire eight‑octave range.

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https://golmba.netlify.app/vocal-runs-vst-crack.html. Taking advantage of the precise CEUS/MIDI triggering, Vienna Imperial's release samples were timed and graded to match note lengths so that notes of different durations retain their authentic decays. Another aid to realism is the provision of 'repetition tones' (repeated notes played with the sustain pedal down), which naturally contain more 'ring' and overtones than notes that start cold.

I've messed with all the knobs and I've figured out how they work mostly, and am able to improve the results a bit by adjusting, but there is always something still awry.To bypass a note, how do I know what note needs to be bypassed? Yeah I'm having a hard time getting rid of that artificial 'Cher' sound. Free midi tunes. I'm getting better results as I play around but no matter what I throw at it I can't seem to get desirable results from auto mode.

Like most companies nowadays, VSL tackle the problem of emulating the effect of the sustain pedal by recording a complete set of pedal‑up and pedal‑down samples. They also recorded 'sympathetic resonance' tones of individual strings: in theory, you can hear these in action by silently depressing a key and playing another note, thereby triggering the floaty sound of the held key's string's upper harmonics ringing in sympathy, but I couldn't get this to work. Soft pedal (una corda) samples are also supplied, accessed by MIDI CC#67 commands.

The Interface

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In order to deal with the specialised performance algorithms of this extraordinarily large instrument, VSL designed a new player. The interface retains the familiar deep blue livery of the company's orchestra‑oriented Vienna Instrument, but that's the only similarity — there are no patch‑switching facilities or matrices, and no opportunity to layer sounds. Basically, you choose one of 11 factory presets, after which you can tweak the sound in various ways and re‑save the result as a custom preset.

The adjustable parameters include a vital MIDI Sensitivity control that enables you to scale the dynamic response to your touch. A Dynamic Range setting allows the piano's dynamics to be compressed, which would be useful when using it in a track alongside bass and drums. The amount of pedal noise (the bugbear of many a recording session, but part of a real piano's sound nevertheless) can be varied, as can the degree of sympathetic string resonance. On a more studio‑oriented note, there's a cool three‑band graphic EQ with adjustable frequency and 'Q' settings.

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How to download omnisphere 2. Packing up to 1200 samples per key, this is a RAM‑hungry instrument which can run your system into the ground. With that in mind, VSL include the option of reducing its size by not loading the release and soft pedal samples. Another very useful aid to memory conservation is that after you've finished programming the piano part you can use the 'optimise' function to clear out all unused samples.

Mic Positions & Reverb

Close‑up of Bösendorfer's patent CEUS piano recording mechanism.

Following the example of its competitors, the piano has a choice of three mic positions: close (microphones under the lid), middle (player's perspective) and distant (audience perspective, approximately 3.5 metres away). Since I'm used to hearing the piano from my vantage point on the piano seat (unfortunately, playing it while seated in the audience places too much strain on my arms), I assumed the player position would appeal to me most, but in fact I preferred the close miking; it's the most distinct and intimate‑sounding of the three, with the widest stereo image. Classical buffs may prefer the distant miking, though its reflections are those of a studio room rather than a concert hall. If you want that particular sound, an excellent built‑in convolution reverb, featuring a choice of three halls in the Vienna Konzerthaus, adds a lustrous ambience.

VSL advise against mixing two microphone positions within the same piece, warning that: 'the samples of each position are already a mix of several miking positions, and mixing them with each other might lead to phasing problems”. Presumably for that reason, the interface permits only one mic position to be heard at a time.

Summary

Vienna Imperial's 'Advanced' screen showing user settings and three‑band graphic EQ section.

Bösendorfer refer to their 290 Imperial grand piano as 'the commanding flagship — the DNA carrier”. Whether that means we'll see it floating around with cannons blazing in a TV war‑at‑sea documentary or making a guest appearance on Crime Scene any time soon I don't know, but it's certainly a very fine instrument that lives up to its hype. Thanks to that and VSL's meticulous sampling job, this is probably the best all‑round sampled piano I've heard (though I admit to not having played them all), and though its strength is classical repertoire, it will sound good in any setting, from jazz, pop and rock to orchestral.

To conclude, I can wholeheartedly recommend Vienna Imperial to anyone who needs a top-quality sampled grand, with the following minor caveats: first, despite its impressive technical advantages it's essentially a digital piano, and as such can never replace the real thing. Second, piano timbre is a highly personal choice that depends on musical style and individual touch, so check out the on-line demos before you buy. Finally, make sure your system is up to it!

Alternatives

There are more sampled pianos than you can shake a stick at. If you particularly want a Bösendorfer 290, the top quality QL Pianos four‑piano bundle contains one, as do Synthogy's Ivory and Best Service's Galaxy 2 collections. For those with shallower pockets and fewer technical demands, Post Musical Instruments' 'Emperor' Bösendorfer 290 (sound library available in various formats) remains a decent sampled piano. Though all are a good deal less expensive than Vienna Imperial, none can match its 100 dynamic levels.

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System Requirements & Installation

As with all VSL software products, the piano requires a hardware Vienna key that must be purchased separately and costs £26$39. Installation of the sample data is preceded by the usual tiresome rigmarole of on‑line authorisation and license downloading, which worked first time for me but has been known to cause problems. The player software is provided free; installing it and the samples from six DVDs was not overly time‑consuming — mercifully, the raw sample data (around 500GB) has been compressed down to 47GB on the discs, sparing your easily‑bored reviewer many hours of grumpy installation time.

Pros

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The provision of up to 100 dynamic levels per note ensures an utterly smooth dynamic response.
Samples a superior, well‑voiced grand used by top concert pianists.
Recorded, sampled and programmed to the highest professional level.
Includes very nice, natural‑sounding concert-hall reverbs.

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Cons

Requires at least 3GB of RAM and a minimum 3GHz processor.

Summary

An astonishing amount of labour went into creating this superb sampled grand. It plays, feels and sounds as real as a sampled piano can and its classy tone and super‑sensitive dynamics will adapt to all music styles. Happy playing!

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